(OOC) Jokermitter says, "The safehouse is an indistinguishable suburban house in an indistinguishable suburban neighborhood. @emit at will." Its evening in Irving Grove. Families are inside their homes, seated around the dinner table, or trying to find something to do without their beloved TV. The warm summer hair seems less steamy here, and the song of a few birds signals the coming twilight over sleepy suburban Gotham. Somewhere in the green lawns and patios, however, something is lurking. A tree's boughs bend slightly over a fence, and a night creature makes its arrival in the backyard of one of many bland houses. The bland house is lit from the kitchen, and from the open window wafts the smell of pot roast cooking. A middle-aged woman crosses the window, wiping her hands on a towel. The sound of a Kawatendo home video game machine bleeps and bloops from a different window. A family lives here? Batman thinks . o O (...either I've come all this way for nothing...or this is some twisted cover of the Joker's devising...chances are pretty good its the latter.) The woman looks out in the back yard for a moment, her eyes searching the shadows. "Kids!" she cries. "Supper's ready." She turns from the window. Batman creeps up to one of the quiet little houses' side walls. He stops, almost out of habit, and can't help but note the strangeness of the situation. He eyes a three-wheeler parked on the grass by his feet as he removes a small black box with a set of wires from his belt. He flicks a switch, and places a suction cup-like clear disc on a window. Adjusting...filtering...he tunes the parabolic listening device's spectrum through the house. There is the clatter of kids' footsteps in the house. The voices fade in and out. "Doris." one of the kids whines, "I want ice cream." Doris turns out to be the woman. "Be quiet and eat your vegetables." she says. The kids eat quietly, almost dutifully. The woman visits the dining room window no less than four times during the meal, but from the angle of the window, it's impossible for her to see Batman's listening post. Batman scowls. He carefully filters out some of the background noise, and keeps up his vigil. Dinner is pot roast and unspecified vegetables. The kids wolf it down in record time, apparently. Doris says "Chew your food ten times. You don't want to end up in the hospital." Finally, as a small voice says "May I be excused?" The woman says "No, no... we need to have a talk...uh. We may have to leave here soon." A chorus of 'no's and 'I don't wanna's and whines arises from the knot of kids. Maybe four. "Something's happened." she says. "And, uh, we may have to leave. I don't want to either, but." Batman eyes the other windows around the house, as best he can from his current position. Three big ones to the back yard: one kitchen, one dining room, one hallway. (Bruce is on that one.) On the side of the house, if this house is true to established Irving Grove form and matches the umpteen other houses on either side, are two bedroom windows. And of course in front, there's the den window. The woman says "I don't know...I just thought you should know. So if we have to pack quickly, we can. So pick up your room, and..." She seems on the verge of hysteria. "And, well, just be ready." Silently, the Dark Knight removes the parabolic dish, and pulls himself onto the roof of the house. He stalks across it, and leans over the other end to look upside down into one of the bedroom windows. The bedroom is empty except for a futon cushion that has been spread on the floor: Mutant Force sheets have been spread awkwardly across it. Kids' clothes litter the floor. Other than that, the room is absolutely bare, no pictures on the walls, no furniture, nothing. Batman pulls the window open, and drops in. He listens for any approaching footfalls on the carpet, and then sidesteps over to the door leading out. The door leading out is half-open. Kids footsteps thump hurriedly along it, small shadows cross the door. Yes, there are four, headed back towards the other bedroom, small whispers about where they think they're going. One brags that he'll burn the orphanage down if they try to take him back. Batman thinks . o O (Orphans. Damn.) Batman takes a small intake of breath. He slips out into the hallway, and turns to find the adult member(s) of the household, truly dark thoughts roiling in his mind. A phone buzzes in the kitchen, an electronic sound, possibly a cellular phone. As Batman approaches through the dark, he can hear her querulous voice saying "H...hello? W-what?" Batman silently approaches, stopping just out of 'Doris's field of vision. He takes a small batdart with a small sleep toxin on its tip, and waits, ears straining. . o O (He's using orphans...'adopting' them for his own sick ploys. And getting away with it.) She sound panicked. "-Here-? When? -WHEN-? Oh, god...oh, god...no, the kids are fine...oh, god." She has her back to the door. She looks undernourished, and her clothes are on closer examination, secondhand. "What's he going to -do-, Jimmy?" she whines. " I've had this feeling all night..." Batman looks at the woman with little pity. He doesn't need to know what brought her to this sad state. Or what role she's playing the grand scheme of the Clown Prince of Crime's games. He only knows one thing; She's participating in the exploitation of children. Orphaned children. His bones go cold as he listens. But he manages to wait. The woman doesn't turn around, she just leans on the counter. "Oh, no, no, no." she whines. "No, he -can't-...he -can't-...Jimmy? Hello? Hello?" There is the sound of a car outside, approaching and slowing at the driveway. She jerks to her feet with energy, whirling around and half into her stride before she notices the Batman. "Kii..." the cry dies in her throat as her panicked expression just slides down into shock. Batman grasps the woman's wrists, and looks into her eyes...meaningfully. He covers her mouth, and moves out of view of the front and back doors. He whispers into Doris's ear. "...who's just arrived?" The woman lets out an eep sound, then "I...don't know. It could be...him." very quietly. She is utterly frozen. The car doors SLAM. The engine keeps running. The thought moves through Batman's mind like an icy dagger. Him. Here. Unsuspecting. Images play themselves in slow motion in his mind for a brief moment; things he'd like to do to him. Wrenching himself back into the moment, he whispers harshly to Doris again. "You're going to go to the children. And keep them safe. And quiet. Or else. I'll deal with our visitor." Doris nods frantically. "Okay." she hisses. "We'll go over the back fence." Batman slips a tracer on Doris's collar as she moves away from him. Doris doesn't notice. She swiftly moves towards the back room, down the hallway. Footsteps, more than one man, less than four, approach the front door quickly. The Caped Cruasder walks to place himself on the inner angle of the front door. He clenches a gloved fist, tensing and going over his tactical options for when he does strike. The den is equally empty as the bedroom, only curtains cover the front window, to disguise it's emptiness from the street. The door opens and two men in dark suits stand silhouetted in the doorframe. Behind them, looking away from the house, is an infinitely more familiar silhouette, his broad hat black against the black sky, his spindly arms gesturing in the middle of some sentence. (It is, perhaps, a sad thought that Batman is so familiar with his nemesis that even in a miniscule tableaux like this one, he can tell that he is in the middle of the sentence.) Batman begins a breathing exercize, drawing a smoke bomb from his belt...and seems to suddenly turn from a living being into a statue. Crouched, cape draped around his heels, fists at the ready, he simply does nothing, and says nothing...for now. The two men stride into the room ahead of the Joker. "Doris!" one calls sharply. The Joker's burbling, excitable voice is saying "...and so -she- says, 'That's not -my- finger -either-!' Get it?" He chuckles at his own joke with a demented giggle sneaking in, shooting up the register like a firework. Batman punches through the glass in the door frame, aiming at one of the entering associates of the Harlequin of Hate. "Got it." The man cries out and turns, the punch landing hard on his shoulder...his associate curses and draws a gun. The Joker just stops his chuckle on a dime, surprised for just a brief second, then suddenly smashing his thin, wiry frame against the doorframe, pushing the sturdily-built door towards Batman, hard. And his grin is back, reflected in a million splinters of broken glass. Batman's arm is caught as the Joker (once again) manages to somehow catch him off guard. He wrenches to free himself, and pushes a leg off of the wall by his side to try and swing the door back around and free himself before the gunman shoots. The door swings back around, the Joker having, in the interim, taken one short step back, just on the doorframe outside again. "Looooo-seeeee!" he crows. "I'm hooooo-ohhhhhhme!" The gunman tries to draw a bead, but his friend who was punched in the shoulder has been thrown off-balance and staggers between them, throwing an off-balance punch at the off-balance Batman, neither being very graceful. In the back of the house, a woman lets out a short shriek of fear, barely audible. Maybe nobody else notices it. Maybe nobody else cares. Batman takes the randomly thrown fist to the side, and doesn't seem to note the small bruising. He swings a leg around, hoping to kick the now very battered door back to slam into one or both of the Joker's associates. . o O (Sloppy, Bruce...need to help the kids...) The door SLAMs shut right back in the Joker's face, but wouldn't you know it, he's standing just about an inch from it. "Let me guess. You aren't big on knock-knock jokes? Well, really, now, who is?" he purrs melliflously. The thug regains his footing and throws a more powerfully-backed punch at Batman's face as his partner says "Move! Move! I got him!", his gun levelled just about midway between Batman's eyes and chin, moving expertly around as Batman moves. These are obviously not the bottom of the barrel. Batman's head cocks to one side, letting out an 'UNF!". He stumbles back and hits a tv dinner tray on a table. Resting an elbow atop the table, he flings out his cape to try and distract the gunman. The gunman swerves his gun just far enough away that when the gun coughs gently, it blows a hole in the wall next to Batman's neck. And as Batman stumbles, the Joker nonchalantly pushes the door open again, with expert timing, extending a purple-shoed foot out beneath Batman's, trying to trip him. He's also whistling the theme from "Leave it To Beaver". Joker rests his walking stick on the ground with a flourish. He rolls his eyes innocently up to the white empyt lightless ceiling and says "Gee, Mom, a bat followed me home. Can I keep him?" One thug removes a sap from his pocket, now more confident. As Batman reaches the hallway, it becomes clear that the rear bedroom, where the kids were, is no longer occupied. Batman slowly draws himself up with a heavy of his shoulders. He turns to face the houseguests, opaque eyes glaring. "Orphans..." he hisses. "Using children." Joker looks down and puts a purple-gloved hand to his chest, emitting a long, drawn out, "Moi?" The thug with the sap swings down at Batman as he is rising. The Joker continues, brandishing his walking stick wildly. "Use children? What do you think this is, a shoe factory in Indonesia? We're making comedy here!" He grins down at Batman, his broad teeth white, his ruby-red lips stretching almost inhumanly across his thin face. "Just do it." he orates. THWACK. Batman reels as the sap collides with his skull. He turns, feeling the warm, sticky wet blood on the inside of his cowl. His shoulders slacken a little, and he bends onto a knee, then his hands. Joker steps forward and brings his walking stick down hard on Batman's back. "No, honey," he says condescendingly, "you can't have a bat in the house. What would your father think? Go take it right back where you found it." His thin shoe arcs swiftly towards Batman's falling midsection. Twisting with each blow, the Dark Knight pulls back his mouth over his gritted teeth. A little blood trickles down from the cowl, down one side of his cheek. Reaching to his belt, he whips his hand out, slashing at the Joker's stick with a whistling sound. Upper torso swaying from the effort, he is clearly fighting against unconciousness. Joker's stick is caught, and he just grins wider, bringing his foot down savagely on Batman's upper arm. Then, when he is good and sure Batman is just barely this side of unconscious, he leans vertiginously down and that smile, the lips twisting and leering around the words, fill Batman's vision. "Ah, hate to bruise that -ego- of yours, but you aren't in the script yet, you're just a -bit- early. Do try to get well before this is all over, hm?" Then there is a THUMP, and only a few half-remmebered words of the Joker, as he rises and turns back towards the hallway..."Children!" he calls musically. "Got some nice candy for you! As long as you promise not to chew..." Then all is black.